Ant-Man (2015): Peyton Reed
Before sneaking into theaters between and Avengers flick and a Civil War flick, Marvel’s Ant-Man was troubled. Its first director backed out. Then another, but he left his work on the script. Finally, the movie endured a phase shift, when Marvel moved it from Phase Three to Phase Two, which has got to be the most 21st century thing anyone has written about a movie.
Ant-Man was always going to be Marvel’s weak link in the phases. Turns out that the movie made a less-than-ant-sized box office, banking $180 million in the US. That puts it near the bottom of the list for Marvel, ahead of the debut of Captain America and practically tied with Thor’s. Those guys are mainline Avengers.
Ant-Man draws on Marvel’s expanded universe you’ve heard much about by now, leaning on other characters seen and unseen far more than any other character introduction movie yet seen.
ONE SENTENCE PLOT SUMMARY: A reformed thief returns to crime for one last gig, and his most important, in a shrinking suit. Continue Reading